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Soft Cell's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team scored a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He later founded the innovative electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball died calmly in his rest at his home in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a wheelchair, as he had for the last two years, following a period of health issues.

"I managed to damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about five ribs and fractured my wrist."

Following catching pneumonia and developing blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the summer, as he worked on a new album with Almond, called Danceteria, which is scheduled for publication next year.

"He was concentrated and very pleased with the latest project that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond referred to his collaborator as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from joining a group, the connection is very tight," he added.
"That's how it was with us. We went through so many extraordinary, extraordinary, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was 18 months old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his given name from his birth name to David, together with his sibling his sister, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the very year, and quickly recorded an EP.

Creative Collaboration

The pair were an unusual pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and makeup; but they attained a rare creative synergy.

Ball had cultivated a interest with synthesizers after watching Kraftwerk appear on BBC program Tomorrow's World, and started to combine dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second most popular song of the early 80s, shifting 21 million copies worldwide. Together with successful tracks by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing new material right up until Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to afford my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to relieve the monotony" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many bands."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to produce a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

After another break, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, that year.

Yet, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's new album as a homage to the New York club scene they visited while making their first two albums.

He noted that his time in medical care had influenced the band's sound.

"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"In parallel, it's about the times we got up to in the 1980s."

The last versions were completed only days before Ball passed away. It is due for release in Spring 2026.

Written by

Karen Gonzalez

Lise is een digitale strateeg met een passie voor het vereenvoudigen van complexe technologie voor ondernemers.

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